Sun Jun 19, 2005 11:53 pm
It was a bit of a jolt at first, but then I realized something. Although I had started with Kodak polycontrast paper back in 1978, and remember using a dial which came with Kodak's darkroom handbook to caculate exposure time as I changed contrast filters, I came to switch to Ilford, especially when they developed a multicontrast system which simplified exposure adjustments. and from around 1980 through 2000, when I basically gave up black and white for colour, i very rarely used Kodak papers. Most of the other people I knew who were doing their own printing were using Ilford or Agfa for black and white.
I have nothing against Kodak products, use Kodak film, both black and white and colour, and preferred Kodak's colour papers over Fuji and Agfa; but the truth is Kodak's withdrawal from the black and white paper field is likely to be less problematical than the financial woes of Ilford and Agfa, or whoever is taking over those company's black and white operations.
In my last days of fibre-based printing, which is over 10 years ago, Agfa's multicontrast had become my favourite. And in RC it was Ilford.
I have a sentimental spot for the Kodak paper, because it was the first I used, and because I remember when you could walk over to a K-mart department store in a suburban shopping centre, and it would have a darkroom section where you could buy the paper.