Board index Photography Technical Questions The Importance of the "TEAM" in Advertising Photog

Technical Questions

The Importance of the "TEAM" in Advertising Photog

Discuss technical aspects of photography
benjikan
 
Posts: 344

The Importance of the "TEAM" in Advertising Photog

Post Mon Jun 11, 2007 6:13 am


Why do some Images seem more polished and others are lacking that certain...????

What you are seeing when you look at an image I am posting, is not just "my photo". It is a team of individuals providing their talent (which in general is of the highest calibre in the industry) and expertise to the final outcome. All of these individuals from the Model, Hair and Make-Up artist, Fashion Stylist and PP Retouch (for skin generally..Never my lighting) are essential in getting the "Film Finished" so to speak. Being that I am based in Paris considered one of the three major centers in the world for my metier, I can draw on this exceptional source of talent. These people gravitate to these centers, just as Hollywood attracts actors and actresses, film directors, producers etc.

I have had this discussion with so many very talented photographers who become so frustrated with their work because they cannot produce the images they imagine for lack of the talent needed to do so. They ask, "Ben, why do my images lack something that I can't quite define?" And I brutally have to answer.."They smack of being Provincial..." Anyone who has done this God forsaken business as long as I have can smell it the minute they see the image. Everything from So So model, bad poorly done make-up, abysmal hair, no fashion styling at all or perhaps at best borrowed from a local clothing store and totally out dated by my "Snobbishly Arrogant" standards and really badly overdone or incompetent retouching.

If anyone wishes to do what I do, it is really quite simple. Gain a vocabulary. Go out and look at or buy, Italian Vogue, French Vogue, Citizen K International, Numero, Surface, Issue One, Oyster, Soon, V, etc etc etc..Not the S--Ty mainstream crap. Absorb it, look, observe, look, observe. You must attain a base for even knowing HOW TO OBSERVE and what to look for. DO NOT YET STUDY THE TECHNIQUE!!!That will come later. Look at everything that is happening. Look at the hair the make-up the clothes the model the theme the ambience. Keep doing this over and over and over until you learn how to be "Discerning". To become discerning you need the vocabulary.

Once you've done that and come to the realization that I might want to try this, you can choose a high end provincial market or "THE MARKET"...I started with Toronto, stayed one year, moved to LA to NY to Milan and eventually Paris. You can get some pretty good talent in Chicago, LA as upper echelon almost there markets and get away with it. You can get the good models in Chicago when they come in to do the shows. Chicago have some good model agencies.

Never do a test without all of the "support team" I mentioned. Hair, Make-Up and Fashion-Accessory stylist and of course the Model. "IF YOU DON'T HAVE THIS TEAM YOU WILL BE WASTING YOUR PRECIOUS TIME."

We can talk about how you can and will get a relatively good serious working model and support team for your shoots and what to say to get them. A model agency will know immediately by the questions you ask if you are a novice or advanced shooter. Ask the wrong question and BYE BYE..You'll smack of...OH, just wanna meet models, forget it buddy! Never F--K around with Model agencies. Always be as forthright as you can with them. They can screw your career when it is just starting with just two or three phone calls. When you get to my level, it is the inverse.

dang
 
Posts: 3780


Post Tue Jun 12, 2007 2:13 am


Thanks again, Ben.
While fashion hasn't been an area of photography that I've aspired to, it's kind of you to share your knowledge. Like all types of business, your saying if your goal is success, surround yourself by those already successful. And that makes perfect sense, I feel. And something I think is often unrecognized, or at the least, practiced. Cutting corners, getting into a pattern of producing less than your best, is a sure way of falling behind.

It's been obvious to me since we've begun talking, that you're highly motivated, and constantly work hard at producing your best. Have you ever found yourself involved it too much to coordinate in a given time frame, and produced something you've gone back to re-shoot?


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