sean_mcr wrote:I'm not paranoid, i'm just not interested in them, or gear talk.
Frankly I'm not here to teach anybody anything, i wouldn't presume so much...
Re what others might write:
sean_mcr wrote:Great shot, what lens?
Nice Shot, What camera?
It's not seeing the woods for the trees
If you want to learn something that's really worth learning, go here.
Sean, you do at least seem to be 'teaching' someone else what is
"really worth learning" instead of just letting them feel some
validity in wanting to learn what they can from others'
Exif data to get an idea of what choices other photographers
(or their cameras) made when shooting a scene he liked (or didn't)
But, also, you HAVE shown an interest in someone else's choice
of lens in a shooting environment that needed flexibility
from them and you did try to show them why another lens
would have been better when you didn't like the blurring of one
area of the picture.
In that case I was less drawn to lens talk than you in that
you wished he had used another lens for reasons you gave.
He chose a lens out of need to move around quickly and be
ready for all kinds of situations. He and I both did not at
all mind the blurry area (a pianist's moving hands) and I felt it
added to the feel of the picture, which was about musical
performance for others.
http://forum.pbase.com/viewtopic.php?t=30798
So yes, you, like most of us when we know something that
we'd like to remind others of (when they're asking questions
about how to do something) will want to help them learn or
remember something.
Here, you and I agree that no photographer should be
forced to provide exif data (for me, that is a wholly
unreasonable request) but I have often myself been interested
in the exif data of good pictures I admire and I appreciate that
it's there when I'm interested. Am also interested in it if someone
wonders why a picture went bad and asks others here about it.
The exif data can help that way too.